Nature is the foundation of art. Therefore, how we define and interpret nature will determine the form of our work. My interest in the innate patterns of nature couple with a fascination for technology. Together, my opposing subjects leave me with a skewed view of an organic image.
8/29/08
digital wood
Nature is the foundation of art. Therefore, how we define and interpret nature will determine the form of our work. My interest in the innate patterns of nature couple with a fascination for technology. Together, my opposing subjects leave me with a skewed view of an organic image.
8/26/08
8/22/08
The meat and bones
I feel a propensity for design that reveals the make up of the digital medium. Bitmapped graphics recall the birth of the computer that so rapidly became more complex and more intellectual. The advancement of programming so quickly changed how we process and feel our daily lives. Art recreates nature, and like art the computer has taken on a form of nature, of human behavior. The margin for error in the face of the computer is narrowing, and the need to evaluate the computational form outside our emotional investment in its possibilities is crucial. While the masses are only expecting these boxes of wires to perform accordingly, a small sum of us are excited by its ability to a be imperfect, to show us what its made of.
Visit the site of Nathan Cowen to see some great examples.
8/19/08
Design Quarterly #133
April Greiman "Does it make Sense?"
One of the first Graphic Design pieces to be done on the computer.
8/18/08
8/17/08
8/15/08
8/7/08
8/4/08
Four Color Map theorem
The goal is to color in all the little closed areas. The only rule you must follow is that no two adjacent areas that share a boundary (a line, not a point) can have the same color.
Subscribe to:
Posts (Atom)